Credits: Sound Installation

• “DREAM OF ANHUI”
Score composition with full live orchestra, sound-design and mix for 20.1 Barco/IOSONO channel theatrical sound installation. Mixed on-site in Hefei, China. Produced by Tippett Studio Director Phil Tippett

• “TACIT CONSENT” [artist statement]
(installation) Visual and 20.2 channel sound installation at YBCA (SF) in collaboration with set-designer, Matthew Antaky and sound-installation designer and projection-designer Frédéric O. Boulay Co-presentation with Yerba Buena Center for the Arts

• “THE IMPERFECT IS OUR PARADISE”
Commissioned score and 6.1 channel sound performance-installation for Liss Fain Dance at ODC Theater (SF).

• “A SPACE DIVIDED” 
10.1 channel sound-performance installation commissioned by Liss Fain Dance for choreographers Christian Burns, Liss Fain and Amy Seiwert at Z-Space (at Theater Artaud SF)

• “WINDSHIELD PERSPECTIVE” [artist statement]
Commissioned score and 6.1 channel sound installation for The Architecture and Design Museum (A+D Museum), Los Angeles. Curator Greg Goldin [soundcloud page]

• “THE WATER IS CLEAR AND STILL”
Commissioned score and 8.1 channel sound performance-installation for Liss Fain Dance at Z-Space (at Theater Artaud SF), Power House Arena (NYC) and YBCA (SF)

• “PROFOUND/REFOUND”
Sound-design installation accompanying art exhibition by sculptor and painter Ben Smith

 

Wanda Flying Theatre Installation Crew for DREAM OF ANHUI. Anhui, China 2016
by Megan Kurishiga
A SPACE DIVIDED. Liss Fain Dance Performance Installation Z-Space San Francisco 2015 – Photo Megan Kurishiga
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TACIT CONSENT. Sound and Performance Installation. YBCA San Francisco 2016
Photo Chris Morley
Wanda Flying Theatre Mix Station for DREAM OF ANHUI. Anhui, China 2016 – Photo Chris Morley