• “FABRIC ANIMALS”
4.1 channel mix and sound-installation for dance performance. Composer Caroline Penwarden. Choreographed and Performed by Sonsherée Giles and Sebastian Grubb at CounterPulse (SF).
Sound-design composition and mix for on-going experimental film by Lucy Raven and Phil Tippett. 5.1 channel sound. Preliminary screening at EMPAC (Albany, New York) 2017.
• “TACIT CONSENT” [artist statement]
(installation) Visual and 20.2 channel sound installation at YBCA (SF) in collaboration with set-designer, Matthew Antaky and sound-installation designer and projection-designer Frédéric O. Boulay Co-presentation with Yerba Buena Center for the Arts
• “THE IMPERFECT IS OUR PARADISE”
Commissioned score and 6.1 channel sound performance-installation for Liss Fain Dance at ODC Theater (SF).
• “A SPACE DIVIDED”
10.1 channel sound-performance installation commissioned by Liss Fain Dance for choreographers Christian Burns, Liss Fain and Amy Seiwert at Z-Space (at Theater Artaud SF)
• “WINDSHIELD PERSPECTIVE” [artist statement]
Commissioned score and 6.1 channel sound installation for The Architecture and Design Museum (A+D Museum), Los Angeles. Curator Greg Goldin [soundcloud page]
• “THE WATER IS CLEAR AND STILL”
Commissioned score and 8.1 channel sound performance-installation for Liss Fain Dance at Z-Space (at Theater Artaud SF), Power House Arena (NYC) and YBCA (SF)
Sound-design installation accompanying art exhibition by sculptor and painter Ben Smith