Dan Wool is a San Francisco, California, based composer who has worked in New York, Los Angeles, London, Mexico City and Anhui China creating scores for broadcast television projects, theatrical sound installations and more than 45 feature films, including seven films for celebrated cult filmmaker Alex Cox (director of Repo Man, Sid & Nancy). He is perhaps best known as the principal composer in the soundtrack-group Pray for Rain (original members Gary Brown, Paul Trupin, James Woody). Dan has also worked extensively creating sound and music for international and domestic advertising and sound branding and also as sound-designer for short films and documentaries, including several for the BBC and Channel 4 (UK). As a music producer, and engineer, Dan has collaborated with international artists such as Bernie Worrell (Parliament-Funkadelic), Philip Chevron and James Fearnley (The Pogues); Debra Harry (Blondie); and many Bay-Area artists, including All My Pretty Ones, Meredith Axelrod, essence, The Glowing Stars, Indianna Hale, Joe Lewis, The Mermen and Kally Price.
In the arts, Dan has created scores and sound-design compositions for The Architecture and Design Museum (A+D Museum), Los Angeles, Amy Seiwert’s Imagery Dance (Sketch Series), AXIS Dance Company, Liss Fain Dance, RAWdance, choreographer Sonsherée Giles, choreographer Alice Sheppard and Ballet de la Compasión. In 2018 his music and sound design work for Phil Tippett and Lucy Raven’s experimental film OUT THERE screened at MoMA (NYC). He has also worked as a sound engineer and sound-designer on dance-compositions with composer Beth Custer (Joe Goode, Jo Kreiter), composer Rob Reich (Circus Bella, Gaucho, Tin Hat). Dan has performed in composer Jem Finer’s “Longplayer” installation, sponsored by the Longnow Foundation at YBCA. For the years 2015 thru 2018 he’s been engaged by the U.S. Olympic Synchronized Swimming Team for ongoing compositional and musical services.
Dan has twice been nominated for an Isadora Duncan Dance Award (Izzie Award) for Outstanding Achievement in Music/Sound/Text, in 2017 for his work with Liss Fain Dance and in 2013 for his work with AXIS Dance Company. In 2014 Dan received an award from Bay Area Dance Watch (Blessay Award) for “Best Dance Soundtrack”
SITE PHOTO CREDITS: White Funeral: Alex Cox, Fly Boy: courtesy of Tippett Studio, Dance Struggle: Ben Hersh, Hard Hat Audio: Chris Morley, Surgeon image: courtesy of Phil Tippett’s Mad God, Performance installation photos: Frédéric O. Boulay,